What to do in museums of

the upper east side

what NY socialites do in 10021

• The Solomon R. Guggenheim Museum
• The Metropolitan Museum of Art
• The Museum of the City of New York
• The 92nd Street Y
• 10021 NY socialites
• The Asia Society
• Cooper-Hewitt, National Design Museum
• The Frick Collection




• Goethe-Institut New York
• The Jewish Museum of New York
• The National Academy of Design
• Manhattan House
• NY socialites of the UES
• The Neue Galerie
• Society of Illustrators
• The Whitney Museum of American Art
• The Irish Georgian Society
• Upper East Side NY socialites

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Is Peggy Guggenheim really from the Upper East Side of NYC?

Yes, Heiress Peggy Guggenheim was born in the upper east side of New York City on August 26, 1898.

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peggy guggenheim and dogs

. Her father, Benjamin was of the wealthy Guggenheim family who made their money in metal, and her mother Florette was of the wealthy banking Seligmann family. Peggy’s childhood was privileged. The heiress attended excellent schools, was exposed to art and theater and traveled to Europe with her family.

Peggy Guggenheim awful plastic surgery gone bad

In 1919, upon graduating from college, Peggy traveled throughout the United States with a friend, vowing to see as much of the country as possible. Eventually, she ended up in Cincinnati where she entrusted a doctor to perform plastic surgery on her nose, which she’d often compared to that of her sisters’. The surgeon, however, decided mid-way through the surgery, that it was too difficult a procedure and did not finish what he’d begun. Peggy spent the next two months hiding from her friends and the public, as she was left with a much larger nose than before. After regaining some of her confidence, Peggy moved to Paris. There, she became reacquainted with Laurence Vail, an artist and poet whom she’d briefly met in New York. The two began a love affair and shortly thereafter, after they’d ridden up the elevators her father had installed, Laurence proposed. The two were married about two months later.

Benjamin Guggenheim died on the Titanic

In 1912, Benjamin Guggenheim completed installing new steam pump elevators in the Eiffel Tower and was returning home to his family on the first voyage of the Titanic. Though as an 1st class passenger, he was guaranteed a place on a life raft, Benjamin, dressed to the nines, perished. Along, with Benjamin’s death, Peggy’s family experienced diminished wealth as they had to pay off her father’s creditors. However, Peggy still inherited some $400,000, a hefty sum at that time.

Peggy Guggenheim and her Dogs

Peggy Guggenheim was known in Venice as “L’Americana con I cani,” or “The American with the dogs” because of her many dogs who accompanied her everywhere. Fifteen Tibetan terrier dogs are buried next to her today, listed by name with the birth and death dates and a plaque reading, “My Beloved Babies.”  It is known that as their respective doggie lives ended, Peggy Guggenheim had each successive dog under interred beneath the paving stones at the back of the Palazzo, before being buried there herself. Her art collection was left to the Solomon R. Guggenheim Museum, with the request that it be left in tact, in Venice. It is still on display much of the way it was in Peggy’s lifetime.

Peggy Guggenheim family affairs sounds similar to casey johnson’s

She had two children with her first husband, Laurence Vail, before divorcing with Olympian acrimony.  Peggy Guggenheim had affairs with almost every man she ever took a liking to. She had family affair with her own son-in-law of her daughter Pegeen. Pegeen died young, nurturing the rumour that she’d taken her own life as a result of her mother’s inability to steer clear of her son-in-law. Others say she died mysteriously. Either way, Pegeen’s story is sad. In the venice peggy guggenheim collection, the dressing room was still a shrine to Pegeen and her naive paintings of gondoliers and palazzi. In the past, I’d stare hard at these splashy artworks, trying to imagine Pegeen’s life. The paintings, so bright and child-like, indicate innocence and positivity. Discovering her husband’s affair with her mother must have devastated that part of her personality.

Peggy Guggenheim saves the lives of artists and artwork from the Nazi Death Squads

Peggy Guggenheim provided safe passage from Europe to New York to a number of friends and family. Her ex-husband Laurence Vail, his soon to be ex-wife Kay and their children, Sinbad and Pegeen, the artist Max Ernst and a few others were all brought safely to the United States thanks to Peggy’s wealth. Peggy Guggenheim has said that the voyage included, “one husband, two ex-wives, seven children and one future husband.”

What kind of artwork did Peggy Guggenheim save from the Nazi looters?

Peggy Guggenheim dreamed of opening a museum, although, at the same time that Peggy was collecting art for her new museum, the Nazis were marching on Europe. Peggy Guggenheim contacted her friend, art historian and critic, Herbert Read. Because Peggy herself, was not a good judge of art, Mr. Read made her a list of works that she should seek to buy.

Peggy Guggenheim pursued every name on the list and in all collected 10 Picassos, 40 Ernsts, 8 Miros, 4 Magrittes, 3 Man Rays, 3 Dalis, 1 Klee and 1 Chagall. And many many more works.

The Louvre says no to Peggy Guggenheim, Picasso, Ernst, Miro, Magrittes, Man Ray, Dali, Klee and Chagall

It soon became evident that plans for a museum would need to be put on hold and Peggy would need to return to America. But what would she do with the artwork? She contacted the Louvre, which said that the collection was not important nor old enough to be given room in their storage rooms. Ultimately, the solution was to pack the artwork in boxes marked “Household Goods.” In this way, Peggy’s collection was shipped safely out of Europe.

Peggy Guggenheim returns to life in New York City

After saving Max Ernst from the Nazis, he became her husband. Shortly after arriving in New York, he was reluctantly convinced to become Peggy’s bridegroom. Peggy paid room and board and Max contributed by providing Peggy with paintings. In this way, her collection has a number of Max Ernst originals In 1942, Peggy opened Art of This Century in New York. This gallery pushed the limits of the traditional exhibition space. It was widely acclaimed, placing Peggy Guggenheim at the forefront of the New York City art scene.

Peggy Guggenheim moves to Venice, Italy

Peggy Guggenheim arrived in Venice in 1948 with a passel of paintings to show–Picassos, Miros, Chagalls, Dalis and Klees-that ultimately found a home at the Palazzo Venier dei Leoni on the Grand Canal, what’s now known as the Peggy Guggenheim Collection. Patronage Peggy Guggenheim, whose patronage of many of the great artists of the early twentieth century helped build one of the best collections of art from that era. In her lifetime Peggy was a character, to say the least. Their marriage was a tumultuous one. By some claims, Laurence was abusive, by others, it was Peggy. The two separated and divorced, but not before they had two children, Sinbad and Pegeen. Peggy would later refer to Laurence as her “eternal husband.” Peggy then began her first of many love affairs. This would be a common theme in her life and something for which she is often criticized for still today. Tragedy struck again in her life, when this first lover, writer John Holmes, died on an operating table, while having surgery on his wrist. Peggy was left heartbroken and without motivation. Her friend, the same one with whom she’d traveled across the US, suggested that she develop an interest, either becoming a literary publisher or an art dealer. As you can surmise, she chose to pursue the latter. In 1938, the Guggenheim Jeune opened in London. While organizing a sculpture exhibit, work by Brancusi, Calder, Laurens and others were stopped at customs. James B. Manson, the then director of the Tate Gallery, as an expert for customs authorities, classified the work not as art but as “manufactured goods.” Peggy took the matter to the House of Commons which ruled that Manson had gone too far in his judgment of the artwork. Not long after, he lost his position at the Tate, leaving Peggy to remark that her fight had, “rendered a great service to foreign artists and to England.” Guggenheim Jeune, though a success in terms of publicity, was not profitable.

patronage for jackson pollock

During this time, she was introduced to the work of Jackson Pollock. Though she was not impressed, her advisers recommended that she give the unknown artist his own show. Peggy provided Jackson Pollack with a generous stipend which was truly necessary. He was, at the time, employed as a carpenter at the Solomon R. Guggenheim museum, and once he exhibited at Art of This Century, he would no doubt lose his position there. Thanks to Peggy’s stipend, Mr. Pollock was able to move from his cramped apartment to a large barn outside of the city, allowing him to work on much bigger canvases which he could then lay down, instead of working vertically. Europe still called to Peggy and in 1947, she divorced Max Ernst and returned to Europe. In 1948, because Greece was embattled in it’s civil war, its pavilion at the Venice Biennale was free. Peggy was invited to exhibit her collection there. She later said of the event, “What I enjoyed most was seeing the name Guggenheim appearing on the maps in the Public Gardens next to the names of Great Britain, France, Holland…I felt as though I were a new European country.” As Peggy introduced herself into Venetian life, she decided that she wanted to permanently settle here. In 1949, she bought Palazzo Venier dei Leoni, dei Leoni meaning “of the lions,” likely because of the yawning lions on the palazzo’s façade but also rumored to be because a former owner had kept lions in the garden. The palazzo is also nicknamed “Palazzo non finito” because though it was originally intended to be five stories high, it was only built to be one story high. History has not recorded the reason for this. Peggy spent the remainder of her years in Venice, exhibiting her collection in her home. While visitors strolled through her garden and her exhibition, she’d hide out in her bedroom which overlooked the Grand Canal. She had many visitors over the years, including Yoko Ono and John Lennon, Truman capote, George Balanchine and nearly all of the artists in her collection and many others who wished to be represented there. The Peggy Guggenheim Collection is the most important museum in Italy for European and American art of the first half of the 20th century. It is located in Peggy Guggenheim’s former home, Palazzo Venier dei Leoni, on the Grand Canal in Venice. The museum was inaugurated in 1980 and presents Peggy Guggenheim’s personal collection of 20th century art, masterpieces from the Gianni Mattioli Collection, the Nasher Sculpture Garden, as well as temporary exhibitions. The Peggy Guggenheim Collection is owned and operated by the Solomon R Guggenheim Foundation, which also operates the Solomon R. Guggenheim Museum, New York, the Guggenheim Museum Bilbao, and the Deutsche Guggenheim, Berlin. 704 Dorsoduro, I-30123 Venezia Open daily 10am-6pm (closed Tuesdays and December 25) tel +39.041.2405411 info@guggenheim-venice.it Picasso and Braques, Jean Arp’s bronze called ‘Fruit Amphora’. Harper’s Bazaar and Karl Lagerfeld pays tribute to the famous art collector with a fashion editorial starring topmodels of the moment Lara Stone and Baptiste Giabiconi. “Peggy Guggenheim’s Venice”, featured in September 2009 issue, also benefits from Amanda Harlech and Felipe Mendes styling and Grand Canal romantic setting, taking us in a glamorous journey through Venice. While her passion for art was a life commitment, Peggy is also remembered for her tumultuous love life, her eccentric fashion style – she wore platinum curls, red lips and extravagant eyewear and jewelry with ease – and last, the odd adoration for her canine companions.

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http://www.army.mil/history/

http://www.army.mil/-news/2010/02/28/34865-inspiring-a-nation/

Duration : 0:2:43

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Whitney Biennial 2010 / Interview with Curator Francesco Bonami. Whitney Museum of American Art, New York, February 23, 2010.

More info: http://vernissage.tv/blog/2010/02/24/whitney-biennial-2010-interview-with-curator-francesco-bonami/

Duration : 0:8:10

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* Painting, Jean-Honoré Fragonard (1732 – 1806): “La lettre d’amour”; huile sur toile – 1771-73 [318 cm x 243 cm] Frick Collection – New York.

Duration : 0:2:40

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http://www.highsnobiety.com

Duration : 0:3:23

Technorati Tags: art, Artists, Collection, curator, dakis joannou, highsnobiety, jeff koons

Duration : 0:3:43

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Duration : 0:8:54

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